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Curriculum Vitae

“Treasure” Bath Artist Studios, Bath Fringe exhibition
June 2010
Larkhall Open Studios
May 2010
Bath Area Network for Artists(BANA)"Open View"
September 2009
RWA Open Print
September 2009
Spike Island Printmakers – “Open Impact”
September 2009
Bath Area Network for Artists(BANA)"Partial View"
September 2008
Royal West of England Academy Open Exhibition
1993, 2006, 2008
“All that We See is Vision”, the William Blake Birthday Book exhibition, 17 South Molton Street, London
Nov 2007,
-Bath Fringe, May 2008, Ledbury Poetry Festival, July 2008
New Designers, Business Design Centre, Islington London
July 2006
Maker’s Fair, Walcot Chapel, Bath
Dec 2004
Widcombe Studios/ Bath Artists’ Studios, Bath Open Studios
2000 - 2009
“fringeArt Central” Bath Fringe
May’99 (also curated)
Hot Bath Gallery Christmas Contemporary Design Exhibition
“Paper, Clay, Paint, Wood” Bath Central Library
Nov ‘98
Black Swan Gallery, Frome “Open Art”
Apr ‘98, Apr 2000
"Recycle, Recreate" Window Arts Centre
May 1997(also curated)
Richard deMarco European Fine Art Auction
Bath Fringe Festival Art Fair
1992, 1993, 1994, 1995, 1996
Bath Society of Artists
1992, 1993, 2003
Bath Arts Association
1984 & 1987
Association of Illustrators "Images" Annual 
1989 & 1990
Bath Artist Printmakers
1988, 1989, 1991, 1992, 1993, 1994
Bristol Artspace
1984, 1985, 1986
Bristol Printmaker's Workshop
1984, 1985, 1986

Royal United Hospital, Bath
December 2008 - June 2009
Leaf Evolution, Widcombe Studios Gallery
March 2007
MA degree show, UWE, Bristol
June 2006
“Grass and Daisies”, Shires Yard, Bath, Bath Fringe exhibition
June 2002
The Spiral Gate cafe, Glastonbury,
July 2000
“The Nightworld and Other Stories” Riverside Gallery, Richmond-on-Thames
Aug 1998
“Under Earth, Under Sea” Window Arts Centre, Bath
October 1996
Bath Fringe Open Studios
1995 - 2000
Bath Fringe Festival (Sulis Arts Marquee & Walcot Village Hall)
1992, 1993, 1994, 1995
Underground Gallery, Bath
The Edge Restaurant, Bath
1985, 1988
Colston Hall, Bristol
M.V. Thekla, Bristol docks
Rooksmoor Gallery, Bristol

FREELANCE ILLUSTRATION: Selected Clients, 1984 -
Genesis, Album cover and lyrics illustrations for ‘We Can’t Dance'
Marks & Spencer, Packaging for food products
Penguin Books, Covers for George Bernard Shaw library
Stones Restaurant, Avebury, Illustrations for cookery book
Bodley Head, Cover and text illustrations for ‘Moonbells and other Poems’ by Ted Hughes.
Oxford University Press, British Rail, Cambridge University Press, Gollancz, Thomas Nelson and Son, Radio Times, Holland and Barratt, W. H. Smiths

University of the West of England, MA Multi-disciplinary Printmaking
June 2006.
City of Bath College, Foundation Course in Art Therapy,
Bristol Polytechnic, Post-graduate Diploma in Illustration
Twickenham Technical College, Foundation course
Twickenham Technical College LSIA General Illustration and DipAD

Currently teaching life drawing and printmaking independently at Bath Artists’ Studios, Bath
ICIA – Bath University
October 2009 -
City of Bath College – OCN life drawing and illustration, weekly classes
1998 - 2006
Wiltshire College, Trowbridge,  - printmaking, Adult Leisure class,
Sept - Dec 2001
Weston College, Weston-Super-Mare, - One year Foundation course, leading illustration option
Sept 1997 - Mar 1998
Gloucester College of Art and Technology, - BTEC Illustration Year 2
Oct 1993 - June 1995
Stroud School of Art,  - Visiting lecturer, one week project, GNVQ GAD Year 1
May 1996
Gwent College of Higher Education, - Visiting lecturer, one week project BA Year 2
January 1993
City of Bath College,  - Visiting lecturer, one week project BTEC ND GAD Year 1
January 1993
Falmouth School of Art and Design,  - Visiting lecturer, two week projects HND Illustration Year 1&2
October 1989-Nov 1993



I am an artist, printmaker and teacher. I studied illustration, painting and drawing in London and Bristol, and a Masters in Printmaking in Bristol in 2006. My images are more to do with proposing questions and presenting paradoxes than suggesting answers. I aim to evoke the viewer’s own creativity and convey a sense of mystery, trusting in visual qualities to communicate.

Some of my formative influenes>